Introduction to Lectures on Fine Art



G.W.F. Hegel. Introduction to Lectures on Fine Art.


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I. Literary Theory and Criticism

1. History of Literary Theory and Criticism until 1930

G.W.F. Hegel. Introduction to Lectures on Fine Art.



Supporting References:






  1. “Georg Wilhelm Friedrich Hegel.” The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch. New York: W. W. Norton & Co., 2001. 626-30. Print.
  2. Redding, Paul. "Georg Wilhelm Friedrich Hegel." The Stanford Encyclopedia of Philosophy. Ed. Edward N. Zalta. Summer Edition. 2012. Web. 14 Aug 2013.



The article with URL( http://plato.stanford.edu/entries/hegel/ ) offers an overview of Hegel and less a discussion on the above-cited text.



“Along with J. G. Fichte and F. W. J. von Schelling, Hegel (1770–1831) belongs to the period of “German idealism” in the decades following Kant. The most systematic of the post-Kantian idealists, Hegel attempted, throughout his published writings as well as in his lectures, to elaborate a comprehensive and systematic ontology from a “logical” starting point. He is perhaps most well-known for his teleological account of history, an account which was later taken over by Marx and “inverted” into a materialist theory of an historical development culminating in communism. For most of the twentieth century, the “logical” side of Hegel's thought had been largely forgotten, but his political and social philosophy continued to find interest and support. However, since the 1970s, a degree of more general philosophical interest in Hegel's systematic thought has also been revived.”

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