The Fifth Child


Place on List:

III. Period: 1960 - 2009

1. Primary Texts: Narrative Prose

Doris Lessing. The Fifth Child. (1988)



Key Terms (tags): narrative prose, twentieth century, novel



Supporting References:




  1. Birch, Dinah. "Lessing, Doris." The Oxford Companion to English Literature. : Oxford University Press, 2009. Oxford Reference. 2009. Date Accessed 16 Aug. 2013 .



This source focuses on the author and not on the information sheet object text.



“Lessing, Doris (1919– ) Née Tayler, novelist and short story writer, born in Persia (Iran) of British parents and brought up on a farm in Southern Rhodesia. She left school at 15 and worked in various jobs. After the break‐up of her first marriage she became involved in radical politics. She remarried in 1945, but in 1949 left for England with her youngest child and the manuscript of her first novel to be published, The Grass is Singing (1950), the story of the relationship between a white farmer's wife and her black servant. From this period on she supported herself and her son by her writing. Her quintet Children of Violence (1952–69) is a Bildungsroman, tracing the history of Martha Quest from her childhood in Rhodesia, through post‐war Britain, to an apocalyptic ending in 2000. Perhaps her best‐known work is The Golden Notebook (1962), a lengthy and ambitious novel hailed as a landmark by the women's movement. Later novels, Briefing for a Descent into Hell (1971) and Memoirs of a Survivor (1975), enter the realm of ‘inner space fiction’, exploring mental illness and the breakdown of society. The sequence of five novels collectively entitled Canopus in Argos: Archives (1979–83) marks a complete break with traditional realism, describing the epic and mythic events of a fictional universe with a remarkable freedom of invention. In order to test the market for fiction by unknown writers, she submitted two far more conventional novels to her publishers under the pseudonym of Jane Somers. Initially turned down, Diary of a Good Neighbour (1983) and If the Old Could (1984) were eventually published and their authorship subsequently revealed. Other novels include The Good Terrorist (1985), describing the behaviour of a group of middle‐class revolutionaries in a London squat, and The Cleft (2007), in which a Roman senator describes the creation of mankind through a study of a primitive society entirely populated by women. Two evocative volumes of autobiography, Under my Skin (1994) and Waiting in the Shade (1997), cover Lessing's life up until 1962, and many other works of fiction and non‐fiction display her concern with politics, with the changing destiny of women, with a fear of technological disaster, her love of cats and her interest in Sufism and the works of Idries *Shah. These themes are all explored in Time Bites (2004), a collection of essays which almost amounts to a further autobiography. Her Collected Stories, 2 vols (1978), show a similarly broad range of interests. In 2007, to her evident surprise, she was awarded the Nobel Prize for Literature and devoted her acceptance speech to the importance of books and her concern that the internet was resulting in ‘a fragmenting culture’, replacing the ‘great store of literature’ that once produced a truly international community of readers.”

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