SAB


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II. Literary Genre: The Novel

3. How is political conflict directly represented in novels?

Gertrudis Gómez de Avellaneda y Arteaga. SAB. (1841, Cuba)



Supporting References:



  1. Bibliography: http://evergreen.loyola.edu/tward/www/courses/biblio/avellaneda.bib.html



  1. "Gómez de Avellaneda, Gertrudis." The Oxford Companion to Theatre and Performance. : Oxford University Press, 2010. Oxford Reference. 2010. Date Accessed 16 Aug. 2013 .



The article offers an overview of Gómez de Avellaneda and less a discussion on the above-cited text.



“Gómez de Avellaneda, Gertrudis (‘Tula’) (1814–73) Spanish playwright, poet, and novelist. Born in Cuba, she emigrated to Spain and became that nation's best-known woman dramatist of the nineteenth century and a staunch defender of women writers as well. After the Madrid première of Munio Alfonso in 1844, she wrote fifteen other full-length plays that usually reflect romantic motifs and focus on religious sentiment or conflict. Two of her greatest successes were the biblical drama Saul (1849), staged in lavish settings at the Teatro Español, and the pseudo-historical Baltasar (1858). A different side of her talent was revealed in the equally popular The Daughter of the Flowers (1852), a three-act verse comedy that dealt more with middle-class social values than romantic passions.

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